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Grosvenor Prints, catalogue n°105

Grosvenor Prints, catalogue n°105

Grosvenor Prints has the pleasure in putting out Winter Miscellany: Catalogue 105 ! [The] Sweets of Liberty. 45. Painted by J. Collet. Engrav’d by S. Okey. Publish’d according to Act of Parliament May 31st 1770 and Sold by S. Okey the engraver [illegible, but also Reake, John Smith & John Swan]. An extremely rare mezzotint with engraving, with hand colour. Sheet 465 x 520mm (18¼ x 20½”). Trimmed close to plate, tear affecting title, some surface wear with parts of the inscription area illegible. A scene outside the Fleet Prison with sellers selling ballads in support of John Wilkes, centred on...

Last days to see Maya Mercer & Juliette-andréa Elie’s exhibition, the Baudoin Lebon Gallery

Last days to see Maya Mercer & Juliette-andréa Elie’s exhibition, the Baudoin Lebon Gallery

the Baudoin Lebon Gallery presents Maya Mercer et Juliette-Andréa Elie’s works from Friday, January 22, 2021 to Saturday, February 20, 2021, an exhibition originally scheduled for November 2020, celebrating two different views and practices of photography Maya Mercer is a French-American artist who lives and works in Northern California. Inspired by the social conditions of the rural American Wild West, she portrays teenagers in visual stories and paintings of her own invention. Juliette-Andréa Elie is a French photographer. She works on landscape representation and the Antropocene era. She creates diaphanous images that question the medium of photography and the complex relationship between humans and their environment.  

Theater of objects, exhibition, Sagot – Le Garrec Gallery

Theater of objects, exhibition, Sagot – Le Garrec Gallery

Au théâtre des objets – theater of objects Exhibition until Saturday, February 13, 2021 Maïlys Seydoux Dumas The Sagot – Le Garrec Gallery displays the ” Au théâtre des objets – theater of objects “exhibition by Maïlys Seydoux Dumas with a collection of paintings on paper and prints, lithographs and woodcuts. The exhibition is an expression of Maïlys Seydoux Dumas’ existential questions about the survival of the soul after being confined in a closed off world and devoid of any creativity. The artist has imagined a theatrical representation through her paintings on crumpled paper accompanied by Haïm Kern’s poems, distributing roles to objects. The curtain rises at the Acacias in her...

Novelties at the Martinez D. Gallery, all about  japanese engravings

Novelties at the Martinez D. Gallery, all about japanese engravings

Novelties at the Marinez D.Gallery, all about  japonese engravings: www.estampesmartinez.com Paul JACOULET Paris 1896 † Karuizawa (Japan) 1960 Winter Flowers, Oshima (Japan). 1955. Color woodcut Miles, n°240. Typographic lettering in the lower margin and Japanese stamp in the right margin. Nice proof on watermarked Japan paper (Letters PJ), proof 36 from an edition out of 350 copies, bearing a red stamp in the shape of a tree and signed in grey pencil by the artist. Margins. Fine state of conservation. 2 500 € YOSHITOSHI Tsukioka Edo (Tokyo) 1839 † 1892 Warrior looking at a battlefield during the full moon. Color...

Latest acquisitions, japanese prints, Christian Collin Gallery

Latest acquisitions, japanese prints, Christian Collin Gallery

The Christian Collin Gallery presents its latest acquisitions of Japanese prints from ukiyo-e and shin-hanga genre, including several plates from the exceptional series of the famous “Vues célèbres des Cinquantre-Trois Stations du Tôkaidô/ fifty-three stations of the Tôkaidô” by Ando Hiroshige. This set can be discovered at the gallery and on the website www.collin-estampes.fr Ando Hiroshige, View of the lake and Otsu city from the Mii temple, colour woodcut, 1855. Koho Shoda,  Ohashi bridge at Atako, colour woodcut, c. 1910-1930.

Portfolio, latest catalog, the  Motte Masselink Gallery

Portfolio, latest catalog, the Motte Masselink Gallery

Portfolio, the latest catalog can be discovered online: portfolio Paulus van Liender – Utrecht 1731 – 1797 Haarlem Interior of a forest with two men on a bridge Black ink and nib, grey wash, black chalk 385 x 475 mm Provenance : Albert van Loock (L.3751) ; Around 1790, van Liender elaborates another type of landscape of which the present drawing is a very fine example. Drawings, executed in black chalk with different shades of grey washes applied with a brush in an ample and lively style. Striking by their luminous contrasts, they aim at a grandiose effect and are...